Friday, November 30, 2012

Food Reward Friday

This week's winner... the Starbuck's Double Chocolaty Chip Frappuccino!



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Friday, November 23, 2012

Food Reward Friday

This week's winner: poutine!


While not as appetizing looking as the Monster Thickburger, poutine is probably more popular.  For those who aren't familiar, poutine is a large plate of French fries, topped with gravy and cheese curds.  It originated in Quebec, but has become popular throughout Canada and in the Northern US.

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Monday, November 19, 2012

AMOUR

“...the unavoidability of death is a matter frequently evaded by euphemism and clouded by sentimentality.”


I am away for much of the next few weeks, so this blog may fluctuate a little. I did however, want to just write a few words about mortality before I vanish. I’m currently working with my colleagues Steven Gartside, Zoe Watson and Valeria Ruiz Vargas to curate an extraordinary exhibition here at in Manchester’s Holden Gallery, next July. The exhibition will bring together the work of some iconic contemporary artists whose work touches upon Mortality: Death and the Imagination.

With our work unfolding, and the commitment of some great artists and thinkers of our time, who I'll announce very soon, its not surprising I noticed that the film critic Philip French had written a stunning review of a film I haven't yet seen, but which leaves me with such anticipation, I must flag it up. I’m taking a punt on something that my instincts (and now the critics) tells me, sounds quite unique. Amour is a film by Michael Haneke, and French believes it will -

“...take its place alongside the greatest films about the confrontation of ageing and death, among them Ozu's Tokyo Story, Kurosawa's Living, Bergman's Wild Strawberries, Rosi's Three Brothers and, dare I say it, Don Siegel's The Shootist. It's worthy of being discussed in the same breath as the novels and plays of Samuel Beckett, of which Christopher Ricks wrote in his bitingly perceptive Beckett's Dying Words: "We know about our wish to go on being, we human beings, our wish not to die. Samuel Beckett, who rigged nothing, fashioned for himself and for us a voice, Malone's, at once wistful and wiry: 'Yes, there is no good pretending, it is hard to leave everything.' These are the accents of a consciousness, imagining and imagined, which braves the immortal commonplace of mortality."

I'll leave you to read his full article by clicking here, and watch the trailer for the film above.

If life permits, I will attempt to blog something from the fourth Arts of Good Health and Wellbeing conference in Fremantle.

Thank you as ever for following the blog...C.P.

Friday, November 16, 2012

Monday, November 12, 2012

...the BIG BANG


So here are some of your thoughts on part one of manifesto - all red and green - and yes of course, in glorious Black and White too!


                   It's here for you to digest and  g r o a n   o v e r   - what, no bullet points - no action plan - a nice little framework perhaps?

     No, NO a thousand times NO. You can pick one of those up from any fly-by-night, five-a-day, quick fix consultants. In for a penny, in for a pound. £

                   Grease me palm with your hard fought-for coffers and I'll tell you what you want to hear. Elixirs, miracle cures? The arts'll solve it all - heal your wounds, cure your aches and pains and tuck you up in your bed at night?

                                                        Instrumental - temperamental?     Fine art - pop art? Reductionist - Irrationalist?

         It's a point in time. Histrionics? Maybe  -  but born full-term and bursting for a fight. 

                   Enlightened and Romantic without a seconds glance back to your bean counting gibberish..."we want to weight it, measure it and standardise the little beauty."

        Oh, but the market my dear,  the fragile economy, the BIG things, the STUFF... the words and important THINGS about our fiscal state - of policy being informed by the finest STUFF...you know: research informed policy!       Yes that's it, policy made on the basis of the finest research - ahhh the randomised controlled trial - the GOLD standard...a model of pharmacological impartiality and rigorous analysis - the midas touch.
        Oh yes, that's the one - only it's not - and has no pretensions to be - it's a baby; a big FAT baby, born of a 1000+ loving parents! 

                           A thousand mothers and fathers thrown into the gene pool...the progeny and lineage are all messed up. There’s my none-too-perfect DNA and yours too.

                         Beautiful hybrid eh?

     ...and is it a Northern child, ruddy cheeked and all flat vowels? Is it European? Eurasian? Venusian? It's an exotic little fellow...and it's still mutating....

                                 Have a cup of coffee - a glass of red - better still, a bottle of water

        Go On...A Toast!        To you, and you and us...

            Where to now for this baby? We need to bring it up, of course...how we do it - well, its for us to decide...

                                 mmmmmmm, how will we do it?

   SCENARIOS, SCENARIOS - lets start to imagine some scenarios


                           S C E N A R I O S:  in arts, health and wellbeing JANUARY 2013  across our
     GLORIOUS NORTHERN LANDS...
                                 dates coming soon...

Sunday, November 11, 2012

...a new song by Scott Walker. I recommend it highly...

Sunday, November 4, 2012

An Encouraging Trend

I was in the Seattle/Tacoma airport today, and I noticed quite a few people taking the stairs even though they're flanked by escalators.  It's been my impression lately that more people are using stairs than even five years ago.  I used to be the only weirdo on the stairs, but today I shared them with about ten other people.  I know Seattle isn't necessarily representative of the nation as a whole, but I (optimistically) think of it as the vanguard in this respect.

One of the healthiest things a person can do is build exercise into daily life.  You don't have to be Usain Bolt or Lance Armstrong to reap the benefits of exercise.  In fact, evidence is accumulating that moderate exercise is healthier than extreme exercise.  Taking the stairs instead of the elevator/escalator, walking or jogging even a modest amount, or standing for part of the day, can have an immediate, measurable impact on metabolic health (1).

Maybe it's macho, but I'll feel defeated the day I need a giant energy-guzzling machine to take me up a 15 foot incline.  I have legs, and I intend to use them.  Escalators are good for people who are disabled or have very heavy bags, but the rest of us have an opportunity to use our bodies in a natural and healthy way.  Part of the problem is how buildings are designed.  Humans tend to take the path of least resistance, and if the first thing we come across is an elevator, and the stairs are grimy and tucked away down some side hallway, we'll tend to take the elevator.  Architects in some places are building in more prominent stairways to encourage gentle exercise throughout the day.

The Twin Pillars of Society...are crumbling as we speak



Last November, I spent three days working in the National Gallery of Australia during the Art of Good Health and Wellbeing conference. Over my time there, I had the luxury of slipping out of the proceedings and into the galleries themselves and soaking up Australia’s rich history and visual culture. It was a treat to spend time with people who new elements of the collection and my particular thanks go to Peter Naumann, the Head of Education + Public Programs, and Gallery Educator program co-coordinator Adriane Boag who helped me scratch the surface of my understanding of the vast collection of Aboriginal & Torres Strait Islander art in the collection. I knew I was ignorant to more or less all aspects of indigenous art, but alongside my complete lack of knowledge of 20th century and contemporary Australian art too, I was in for something of a revelation. It would be easy and trite to compare and contrast the development of visual art in Australia alongside what I knew of European art, but that was never going to be the case. The art that I was exposed to was about a different story, and perhaps again, one that I’m not equipped to tell. Yes there were stories of the human condition, but grounded in this vast and unforgiving landscape. So it was with a degree of excitement that I’ve noticed that The Royal Academy of Art’s big autumn/winter show next year (21 September - 8 December 2013), will be an extravaganza, a survey of 200 years of Australian art. The big names are being trumpeted, so expect Sidney Nolan, Arthur Boyd, Margaret Preston, Rover Thomas and Tracey Moffatt to sit alongside the exquisite unknown work of indigenous craftspeople.


For me the artist Howard Arkley best illustrates that unique vision of suburban Melbourne life through its architecture. Sublime stuff.


With the thought of our visual heritage and culture, and the recent speech of our PM to the Conservative Party Conference in mind, it is with some horror that I see the place of the arts on the national curriculum, is falling almost completely of the agenda.



Cultural figureheads have this week begun an attack on the governments English baccalaureate, the Ebacc, the fear being that many state schools will marginailise arts subjects, if they don’t count significantly to the Ebacc. In other words pupils have to attain a GCSE grade C or higher in five subject areas; English, maths, two sciences, and either geography or history. Drama, music, art and design aren’t included! The Cultural Learning Alliance is calling for the Government to add a sixth pillar to the currently planned, 5 subject areas.



Are you shocked? You should be. Everything this arts and health agenda is about, is deeply embedded in education, emotional intelligence and the arts. Others will talk more eloquently than me about the contribution of the arts to our economy and civic society, but we mustn't underestimate the impact that will have on the next generation.

So let me remind you of the Prime Ministers speech and his thoughts on education.

“The transformation has been astonishing – and the methods have been Conservative. Smart uniforms, teachers in suits. Children taught physics, chemistry and biology, not soft options."

But Prime Minister, aren't science and the arts the twin pillars of society?


I’m also mindful of research that I quoted in A Brightly Coloured Bell Jar that explored some of the links between intelligence testing and creativity testing, summarising that enriched environments, notably the USA, had seen a constant generational rise in IQ scores, but a reverse trend in creativity scores since 1990. In their paper, The Creativity Crisis, Po Bronson and Ashley Merryman take this theme further, but with an emphasis not on art classes per se, but on how thinking creatively across the curriculum is key to flourishing.

‘Creativity isn’t about freedom from concrete facts,’ they comment, ‘Rather, (it’s about) fact-finding and deep research (that) are vital stages in the creative process.’ The characteristics of successful creative schools is, ‘they alternate maximum divergent thinking with bouts of intense convergent thinking, through several stages… when applied to the everyday process of work or school, brain function improves.’

Grayson Perry shares his thoughts on this latest experiment in education. Click on his photograph for more.

“The idea that art will somehow look after itself – that society will breed untaught geniuses – is rubbish. We'll end up with a cultural sector even more skewed towards the privately educated. A bit like what has happened to politics.”


And like a voice of reason in this liminal world of arts, health, wellbeing and education; enter stage left, the Shadow Minister for Culture and the Arts, Dan Jarvis MP who attended the launch of the Sheffield Arts and Wellbeing Network, and judging by the transcript, spoke rather well about our agenda. Here’s a snippet. Click on the glass eyes below, for the full speech.

“Britain more than ever survives and prospers by the talent and health of its people. Investment in human capital: to allow people to innovate, to create, to think anew and be creative is fundamental to human development and unlocking potential. Plays, poetry, books, films, art, design and crafts can all support innovation, thinking, reflection, creativity and help inspire individuals. Through this process people develop; we come together; we see things differently; we understand where others come from; and when at our most vulnerable, arts and creativity helps us to heal and to cope – to live life even when we feel there is no hope. 

Although we are at a tipping point, we have much to build upon and Britain has previously developed different approaches towards improving population health.  As Shadow Culture Minister, I am seized by the role that Culture – the Arts, can play in the context of health and general well-being.”


Arts Council England announces details of its new structure, which comes into operation on 1 July 2013.

The changes come as a result of the Government's requirement - made as part of our settlement for 2011-15 - that we reduce our administrative costs, as applied to our grant in aid for the arts by the end of March 2015.
  • an overall reduction in staff numbers across the organisation of 21 per cent from 559.5 full time posts to 442 (117.5 posts)
  • four Executive Directors, reducing from eight, accountable for delivering the Arts Council's overall strategy, with the Chief Executive
  • leadership of artform and cultural policy expertise distributed geographically across the organisation - everyone will have a local and national focus
  • property costs will come down by 50 per cent through reductions in the size of offices
  • major offices will be located in London, Birmingham, Manchester and Bristol, plus some smaller local offices to keep the Arts Council close to the arts and cultural sector, and to local government
  • five areas covering London, the South East, the South West, the Midlands and the North replace the Arts Council's current regions and areas
Call for abstracts for Arts in Health Conference
Deadline 21st December 2012
International conference June 24, 25, 26 2013

We welcome the submission of abstracts for: 
  • Oral Presentations
  • Poster Presentations
  • Participatory Workshop & Performance /Film
Our conference themes include:
  • Healthy and Creative Ageing
  • Global Health Inequalities and Culture
  • Culture and the Social Determinants of Wellbeing
We particularly welcome abstracts that provoke new ways of researching, conceptualising and creating and will encourage delegates to question assumptions and learn about different approaches to current issues and areas of practice, with a particular focus on:
  • Research
  • The latest research and new methodologies
  • The dissemination of international research and evaluation
  • Practice
  • Museums and Health
  • Arts in healthcare settings
  • Arts and health promotion/prevention
Further guidelines by clicking on the false teeth



Help a Heart Grants (UK)
The British Heart Foundation has announced that the next closing date for applications through its Help a Heart Grants programme is the 21st December 2012.  Through the programme community and voluntary groups are able to apply for funding of between £300 and £2,000 to promote heart health in their area. Anything that promotes heart health may be eligible for a Help a Heart Grant. The Foundation is particularly interested in original and creative ideas. Projects must be patient led. The more evidence of patient involvement and need applicants can provide, the stronger their application will be.
Read more at: http://www.bhf.org.uk/heart-health/how-we-help/funding/help-a-heart-grants.aspx  


The David & Elaine Potter Foundation 
(UK & International)
The David and Elaine Potter Foundation is a charitable family foundation established in 1999 to encourage a stronger, fairer civil society. It has granted more than £12 million to registered charities in the UK and abroad.  The Foundation's funding is divided into five categories:
  • Education
  • Civil society
  • Research
  • Human rights
  • Arts.
The trustees are interested in lasting social change, and in forming long-term partnerships with the organisations the Foundation supports.  Grants in the past have ranged from several hundred pounds to grants of up to £2 million. The grant application process is divided into two stages: a letter of enquiry and an application. An applicant is invited to submit a full proposal only if their letter of enquiry has been accepted. 

Applications can be submitted at any time. Read more at:

Wolfson Foundation Special Needs Grants Programme (UK)
The Wolfson Foundation has announced that its Special Needs Grants Programme is open for applications.  Through its Special Needs Programme, the Wolfson Foundation, makes grants to charities and special schools that work with people with particular health needs or disabilities.   Over the past three years some £7.5 million has been allocated to nearly 150 different projects.  Grants are made for new buildings, major refurbishment work, equipment or vehicles.

There is a two stage application process.  Initially an outline of the project should be submitted.  Successful applicants at this stage will be invited to submit a full proposal.  Stage 1 applications can be submitted at any time.  The next closing date for Stage 2 applications is the 1st March 2013. Read more at: 
http://www.wolfson.org.uk/grant-applicants/special-needs/


US
Just to say, our thoughts are with you as you head into Presidential elections and following the devastation of Hurricane Sandy on the Eastern seaboard, our thoughts are with the invisible people of Cuba and Haiti too...


Thank you as ever for reading this blog, and feel free to share...C.P.

Friday, November 2, 2012

Food Reward Friday

This week's lucky winner... the Hardee's MONSTER THICKBURGER!



Two 1/3 lb beef patties, four strips of bacon, three slices of American "cheese", mayo and bun.  This bad boy boasts 1,300 calories, 830 from fat, 188 from carbohydrate and 228 from protein.  Charred and fried processed meat, fake cheese, refined soybean oil mayo, and a white flour bun. You might as well just inject it directly into your carotid artery.  Add a large fries and a medium coke, and you're at 2,110 calories.  Who's hungry?  Actually I am.  

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